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Paul Signac Impression Figure of Palace mk106
1900
Oil on canvas
73.5x92.5cm
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Paul Signac Impression Figure mk106
1895
Oil on canvas
46x55cm
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Paul Signac Study of Asnieres mk115
1885
Oil on canvas
32x46cm
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Paul Signac The still life having book and oranges mk115
1885
Oil on canvas
32x46cm
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Paul Signac Montmartre-s Studio mk115
1882-1883
Oil on canvas
60x38cm
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Paul Signac Red silk stockings mk115
1883
Oil on canvas
61x46cm
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Paul Signac Impression mk115
1883
Oil on canvas
73x91cm
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Paul Signac Road mk115
1884
Oil on canvas
35x27cm
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Paul Signac Fish Market mk115
1884
Oil on canvas
60x92cm
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Paul Signac Impression mk115
1884
Oil on canvas
45.5x64.5cm
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Paul Signac Sea breeze mk115
1885
Oil on canvas
46x65cm
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Paul Signac Sailor-s Cross mk115
1885
Oil on canvas
33x46cm
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Paul Signac Impression mk115
1886
Oil on canvas
64x81cm
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Paul Signac Landscape of snow mk115
1886
Oil on canvas
46x65cm
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Paul Signac Riverbank mk115
1887
Oil on canvas
46x65cm
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Paul Signac Square mk115
1888
Oil on palette
27.5x35.6cm
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Paul Signac Impression mk115
1887
Oil on canvas
46x55cm
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Paul Signac Stern mk114
1888
Oil on canvas
46x65cm
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Paul Signac Forest mk115
185
Oil on canvas
46x65cm
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Paul Signac Forest mk115
1886
Oil on canvas
33x46cm
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Paul Signac
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1863-1935
French
Paul Signac Galleries
Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat.
Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism.
As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
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